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Top Five Exhibitions this Week!

Posted on March 15, 2017

Top Five Exhibitions this Week!


We have popped together a little world tour within the arts, grab your backpack but leave your hiking boots at home, no planes to catch just a little adventure around London for the day.

We have hand picked some rather fabulous looking exhibitions that are on this week. Go venture and give your eyes a treat!


The American
pop to the
present America

9th March - 18th June 2017

Land of the free.
Home of the brave…

Trace 60 years of a superpower in this major new exhibition.

The past six decades have been among the most dynamic and turbulent in US history, from JFK’s assassination, Apollo 11 and Vietnam to the AIDS crisis, racism and gender politics. Responding to the changing times, American artists have produced prints unprecedented in their scale and ambition.

Starting with the explosion of pop art in the 1960s, the exhibition includes works by the most celebrated American artists. From Andy Warhol, Jasper Johns and Robert Rauschenberg to Ed Ruscha, Kara Walker and Julie Mehretu – all boldly experimented with printmaking. Experience this extraordinary history through their eyes.

Taking inspiration from the world around them – billboard advertising, global politics, Hollywood and household objects – American artists created highly original prints to rival their paintings and sculptures. Printmaking brought their work to a much wider and more diverse audience.

The sheer inventiveness and technical ingenuity of their prints reflects America’s power and influence during this period. Many of these works also address the deep divisions in society that continue to resonate with us today – there are as many American dreams as there are Americans.

This exhibition presents the Museum’s outstanding collection of modern and contemporary American prints for the first time. These will be shown with important works from museums and private collections around the world.

More info here



7th December to 26th March 2017

Escape the darkness of winter for the light-filled landscapes of the Australian Impressionists in the first UK exhibition of its kindâ�¨

Showcasing four innovative Australian Impressionist artists, Tom Roberts, Arthur Streeton, Charles Conder, and John Russell, this exhibition explores Impressionism in an Australian context – closely related to yet entirely distinct from its European counterparts.

From ‘snapshots’ of life in the rapidly teeming cities of Melbourne and Sydney to dazzling landscapes of coast and bushland, the paintings of Roberts, Streeton, and Conder came to epitomise a growing sense of national identity as Australia approached Federation in 1901.

Russell, by contrast, was an Australian expatriate who spent almost his entire career in France, counting Van GoghMonet, and Matisse among his friends. Like fellow artists in Australia, Russell embraced plein air painting to capture the fleeting effects of light in the landscape but became increasingly experimental in his use of colour.

Featuring loans from some of Australia’s leading museums and private collections, many of which have never been seen in the UK, this exhibition invites you to reconsider how Impressionism was understood at the time, as an international phenomenon which transformed itself as it travelled the globe.

This exhibition is organised by the National Gallery, in collaboration with Art Gallery of New South Wales.

More info here



Revolution: Russian Art 1917-1932

11th February - 17th April 2017

 One hundred years on from the Russian Revolution, this powerful exhibition explores one of the most momentous periods in modern world history through the lens of its groundbreaking art.









Renowned artists including Kandinsky, Malevich, Chagall and Rodchenko were among those to live through the fateful events of 1917, which ended centuries of Tsarist rule and shook Russian society to its foundations.

Amidst the tumult, the arts thrived as debates swirled over what form a new “people’s” art should take. But the optimism was not to last: by the end of 1932, Stalin’s brutal suppression had drawn the curtain down on creative freedom.

Taking inspiration from a remarkable exhibition shown in Russia just before Stalin’s clampdown, we will mark the historic centenary by focusing on the 15-year period between 1917 and 1932 when possibilities initially seemed limitless and Russian art flourished across every medium.

This far-ranging exhibition will – for the first time – survey the entire artistic landscape of post-Revolutionary Russia, encompassing Kandinsky’s boldly innovative compositions, the dynamic abstractions of Malevich and the Suprematists, and the emergence of Socialist Realism, which would come to define Communist art as the only style accepted by the regime.

We will also include photography, sculpture, filmmaking by pioneers such as Eisenstein, and evocative propaganda posters from what was a golden era for graphic design. The human experience will be brought to life with a full-scale recreation of an apartment designed for communal living, and with everyday objects ranging from ration coupons and textiles to brilliantly original Soviet porcelain.

Revolutionary in their own right, together these works capture both the idealistic aspirations and the harsh reality of the Revolution and its aftermath.

All ticket prices include £2.50 for a printed gallery guide.

More info here



Places of the mind
British watercolour landscapes 1850–1950

23 February – 27 August 2017

Drawn from the British Museum’s rich collection, this is the first exhibition devoted to landscape drawings and watercolours by British artists in the Victorian and modern eras – two halves of very different centuries.

The exhibition celebrates the work of British landscape artists during the hundred years following the death of J M W Turner. It demonstrates how they worked in many different styles and techniques on paper – not only in watercolour, but also in mixed media including bodycolour, pastel, chalk and pen and ink – to interpret the changing landscape of the period. It charts their technically brilliant, virtuoso and imaginative responses to the artistic, cultural and social upheavals of the time.

Most of the 125 works are from the British Museum’s remarkable but little-known collection – over half have never been on display before. The exhibition includes works by James McNeil Whistler, Edward Burne-Jones, John Singer Sargent, Muirhead Bone, Paul Nash, John Minton, Henry Moore and Graham Sutherland.

Different sections of the exhibition explore not only the variety of techniques and styles but also the effects of tourism at home and abroad, the role of artists’ colonies, contemporary writing and the devastating effect of two world wars. The exhibition’s title is borrowed from the poet and critic Geoffrey Grigson’s 1949 collection of essays, Places of the Mind. It acknowledges how every landscape drawing is a construct of the mind and imagination of its creator – an attempt to convey not merely the physical properties of a landscape but an almost spiritual quest to capture its essence and sense of place.

The accompanying book, available in the Museum shops and online, is supported in memory of Melvin R Seiden and by a grant from the Dr Lee MacCormick Edwards Charitable Foundation, awarded to the American Friends of the British Museum.

More info here



Traces of the Future: Archeaeology of Modern Science in Africa

Nunnery Gallery

27 January - 26 March

 The Amani – meaning peace in Kiswahili – Hill Research Station lies deep in a Tanzanian rainforest, suspended as a capsule of dreams high on a mountain range. We invite audiences to explore this intriguing and beautiful place, through Russian photographer Evgenia Arbugaeva’s 12 celebrated photographs – as featured in December 2016’s National Geographic – together with 11 new photo works and three new films from renowned multi-media artist Mariele Neudecker, all made on a residency in Amani. A selection of objects will surround the artwork, from original specimens – bottled snakes, butterflies and flies – to maps and experimental equipment, inviting you to explore and meditate on these objects that draw lines into our own past, our understanding of the present world, and its future.

The exhibition follows the anthropological and historical research project ‘Memorials and remains of medical science in Africa’, funded by the Economic and Social Research Council (ESRC), that through artist residencies and re-enactment explored new and exciting cross-overs between anthropology and art. One of the biggest of its kind in Africa, the Amani station was built in the late nineteenth-century and has hosted researchers from all over the world across its originally colonial history. Held in an intriguing state of both use and preservation, some of the site exists exactly as it was in the 1970s; the objects of which reveal the stories and aspirations behind the people and the science that was pioneered here.

More info here